Food for thought‘[...] do not think that good design can make a poor product good, whether the product be a machine, a building, a promotional brochure or a business man. But [...] good design can materially help make a good product reach its full potential. In short, [...] good design is good business.’
Thomas J. Watson Jr., IBM CEO

Ten Books — A Graphic Designer’s Reading List

March 27, 2012, 2:30 PM

Thinking about Eye Magazine’s question, ‘How should we choose texts to guide students through the info-blizzard?’, I checked my library to see what I would recommend reading first to a younger me. I remember when I was in college, and during my junior years, that I was always struggling with which book to buy next. Choosing one on a specific topic, say typography, meant many late hours spent on reading reviews, looking for photos of spreads and so on. So many, but which one would teach the most? There were no libraries or bookshops to check first, and I couldn’t afford to get a ‘wrong’ one, postage was quite expensive.

Unlike the lucky ones living in London, New York or other big cities with proper libraries, book shops and art schools, the rest have to settle for buying online. Without guidance, this can be daunting, especially on Amazon, with its huge range. You might get a bibliography from your school, or you could find reading lists of great designers (see end of article for links), but these are rarely short or affordable.

This is why I’m keeping my list to ten books. Five ‘basic’ books that will get you through almost anything, five more that will build on the first. Most of them are about graphic design, but those that aren’t will help you just as well, I’d bet even more. Here they are, each with a short reason-why:

 

How to be a graphic designer without losing your soul
by Adrian Shaughnessy
This book will give you a very good idea on the general idea of what it actually means to be a graphic designer. Whether you plan to find a job or start on your own, Mr Shaughnessy offers plenty of details on what you need to know and do. He also interviews several high profile designers, asking for their tips. The table of contents, laid out on the cover, is more than self-explanatory.

 

The Elements of Typographic Style
by Robert Bringhurst
While there is no such thing as too many typefaces (unless they’re on the same layout), this is less valid for typography books. Good typography is the backbone of any design, whether it’s a small Christmas card or a large supergraphic signage system. I will only add that Hermann Zapf’s ‘wish to see this book become the Typographer’s Bible’ written on the back cover says it all.

 

Grid systems
by Josef Müller-Brockmann
The 80′s are some thirty years back now and fortunately David Carson is just one, so you’ll need to learn the basics of grid systems, especially now that webdesign has finally caught up in using great typefaces and proper, even flexible grids. While the previous book will explain the basics, this book by Müller-Brockmann is the cornerstone. You don’t have to become a gridnik like Mr Crouwel, but any piece of design – just like architecture – needs a good structure.

 

The Brand Handbook
by Wally Olins
Unless you’re living on a remote mountain, growing your own vegetables, you’ll know by now that brands are all around us. In this day and age, understanding branding has become maybe even more important than classic skills like typography or grid design. This book explains what brands are and how they work. If you’re involved in any commercial business, branding is essential for success, whether you’re a designer or not. You’ll hardly find more concise, no-bullshit writing on branding than from Mr Olins – and these days everyone writes about branding.

 

Steal like an artist
by Austin Kleon
This book has only been published a few weeks ago, but rarely have I seen such concise pieces of advice for any creative venturer. You can read its ten short chapters in less than an hour, but you’ll find invaluable advice, ranging from copying as the best form of learning or freedom from debt to the importance of habits and perseverance. Buy it, read it, keep it on your table and browse it again and again.

Graphic Design, A Concise History
by Richard Hollis
Graphic design has changed significantly with the introduction of PCs in the 1980s and with the spread of the Internet in the 1990s and especially the 2000s. Still, the core ideas remain pretty much the same as the ones laid out by the Bauhaus or Paul Rand, for example. The past is a great source of inspiration, as long as you keep in mind that you need to steal from many, not just one. Hollis’s book is a great start (also look for the Meggs tome if you have the time and the money).

 

A Smile in the Mind
by Beryl McAlhone & David Stuart
Design without ideas is mere styling. This book shows plenty of memorable examples of fine design, the kind that makes you smile with admiration. The projects shown range from playful, witty to humorous or ironic, covering the main business sectors. It also contains interviews with 26 of the best designers, explaining how they got their ideas. A must have for any designer striving to learn how to think.

 

Paul Rand
by Steven Heller
Probably the best monograph ever written about a designer, especially about Paul Rand. He is regarded as one of the finest thinkers, with work spanning from advertising, publishing to corporate design and children’s books. This book will show you the endless possibilities in design (even before the web) and introduce you to one of the best heroes you could have.

 

What I Talk About When I Talk About Running
by Haruki Murakami
It’s not about design, but this book will teach you about the importance of perseverance. Murakami offers great insights into what it takes to have a long and fruitful career. It also talks about the benefits of sport, especially for creatives that are bound to their chair for most of the day. Btw, this cover shown here is designed by Chip Kidd, look him up too.

 

Siddhartha
by Hermann Hesse
This is my all time favourite book. There’s so much to learn from it, but the main reason I’m including it here is that it talks about the importance of leaving your familiar places to experience the diversity of the world and about the search for meaning. It’s a great book for any designer that learns that best things come from ‘seeing’ (not just looking) around you, and dares to step out of the ‘bubble’ designers usually tend to live in.

Ending note
Making the list hasn’t been easy. I had to leave out many gems like ‘From Lascaux to Brooklyn’ by Paul Rand, ‘Make it Bigger’ by Paula Scher or the wonderful “The Art of Looking Sideways” by Alan Fletcher. Also, the recently published ‘An A-Z of Visual Ideas’ by John Ingledew and ‘LogoDesignLove’ by David Airey are worth reading and keeping close, for daily references. All these will help you a lot, but in the end, the best way to learn is still working with a senior. Read these and go out and find somebody better than you, learn everything you can, then find somebody even better and repeat. Good luck!

FURTHER READING & LINKS
— read the Eye Magazine article that triggered my post;
— browse my Anobii online library — ask me if you want more recommendations;
— read my reviews of the LogoDesignLove book and other great books;
— check out Designersandbooks — the favourite books of many great designers;
— also worth browsing, Frank Chimero’s and Jason Santa Maria’s book lists.

favicon

375

Mind Over Matter: Alan Fletcher’s The Art of Looking Sideways at the Kemistry Gallery

September 4, 2011, 10:27 PM

A simplistic way to describe Alan Fletcher would be to say he is the British Paul Rand.  And one would not be very far from the truth, as their work shows so many similarities, from the witty use of images, words or collages to the memorable handwriting style they both had. And it should be no surprise, as Paul Rand was indeed one of Alan Fletcher’s teachers during his studies at the Yale University, between 1956-1959. Still, as Paul Rand is arguably the most influential American graphic designer, so is Alan Fletcher for the British graphic design.

Alan's beautiful 'Mind over matter' is painted outside the gallery (you can also buy it as poster).

“The Art of Looking Sideways” is probably his most fascinating work, a book collecting thoughts and visuals that had sparked his imagination for almost three decades. The new exhibition at the Kemistry Gallery offers the chance of peeking behind the curtains, exhibiting some of Alan’s original notes, drawings and other materials he did for the book. The pages constantly surprise by their fun, witty or deep analogies made between apparently unrelated elements, making you reconsider the relationships between thinking and looking, telling and showing. The exhibition proves once more that Alan Fletcher’s work is as refreshing and inspiring today as ever.

Small, but you'll be amazed at how much you can see — and learn (click on image for larger size).

Alan's shadow watches over (click on image for larger size).

You’ll most likely lose track of time, reading the diverse notes, cut-out articles, trying to decipher Alan’s drawings, smiling at his puns or learning of his heroes.

Hundreds of stories, all enchanting (click on image for larger size).

His beautiful and distinctive handwriting is ever-present:

This page definitely caught my eye, reminding me yet again about Paul Rand and his eye-bee-M poster:

A wonderful pencil sculpture can be seen on the desk, while Alan’s shadow watches over hundreds of page thumbnails in the large photo that dominates the exhibition:

Plenty more to see, of course. The only gripe I have with the exhibition is that all those pages would’ve looked much better on a dark background, but I guess painting the walls or covering them completely are not easy options for a small gallery. The exhibition is open till October 1, so, if you’re in London, don’t miss it. You can find more details on the Kemistry Gallery’s website. I’d recommend several visits, for better results. And if you don’t have the book yet, get it, there’s no excuse not to.

RELATED LINKS:
— watch Alan Fletcher himself, talking about ‘The Art of Looking Sideways’;
— listen to Colin Forbes (one of the partners with whom Alan founded the famous Pentagram) and read about the Alan Fletcher: Fifty years of work (and play) exhibition, held at the Design Museum in 2006;
— keep an eye on www.alanfletcherdesign.co.uk, hopefully it will be just as good as www.paul-rand.com when it launches.

favicon

361

Design: The World of Minale Tattersfield — Book Review

April 27, 2011, 1:52 PM

Minale Tattersfield is one of the top British design companies, founded back in 1964 by Marcello Minale and Brian Tattersfield. They are now a global company, with eight offices all around the world.

The Design: The World of Minale Tattersfield book presents their work and their ideas. Their first book, ‘Design a la Minale Tattersfield’, published in 1986, ‘explored its artist-designer origins in the creative ferment of the early 1960s and charted its spectacular tradition of invention up to the mid-80s’ — as Jeremy Myerson, the book’s author says (he is also the founder of the DesignWeek magazine). The new book takes up the story, covering more than 25 years, starting from the 60s and continuing with the transition period in the 90s, with the expansion of the company and the increasing globalisation of the design industry. Read on for more info and pictures.

» Continue reading

favicon

359

A book cover for La Fontaine’s Fables from the 50s

February 27, 2011, 9:10 PM

While I was a kid, and well into my teenage years, I would spend summers at my grandparents’, far into the north of Transylvania, ‘bookworming’ through their large library, trying to beat my own reading records. As my grandmother is half German, half Hungarian and my grandfather is Romanian (mother side), their library was — and still is — packed with Romanian, Hungarian and Russian (because of the long comunist regime) books. Luckily, some of them were translated in Romanian, as I didn’t know the other languages (too young to catch Russian hours in school, not long enough with my grandparents to pick up proper Hungarian from them). Anyway, it was a wonderful thing to be able to read literature from such different countries. Most of the books were from the 50s and the 60s, when my mother and her brothers were kids, but some were even older — grandpa had a large old chest in the attic with books from his teenage years — such a joy to browse through.

Unfortunately, I only have a few photos of them, but here is one that always fascinated me: La Fontaine’s Fables. It wasn’t among my favourite reads, but its illustrations and typography were always a pleasure to look at:

Oh, I don’t think I need to tell you that all those books smelled wonderful, do I? :)

favicon

351

Hustling the greats — cheap bravado or a genuine “naked emperor” shout?

January 28, 2011, 12:41 PM

While reading Adrian Shaughnessy’s interesting review of Kenneth FitzGerald’s Volume: Writing on Graphic Design, Music, Art and Culture book (on the Design Observer), a paragraph caught my attention especially:

It’s not only his students FitzGerald wants to refrain from gazing admiringly at the great and the good of the design world. His own combative approach to criticism means that he doesn’t shy away from roughing up representatives of design’s elite: Alan Fletcher (“The Art of Looking Sideways … a formless data-dump of quotations, aphorisms, diagrams, reproductions, commentaries, and folderol”); John Maeda (“sterile, programmed ornamentation”); Paul Rand (… students will become even more marginalized and disenchanted with their work and status if they attempt to define themselves by Rand’s fallacies); and Stefan Sagmeister (“Made you Look … a fatiguing compendium of almost every optical, production, and advertising-creative artifice devised since Gutenberg”).

I don’t think I need to tell you that this is the design’s equivalent of whistling bare-assed inside the church on a Sunday morning. Does Mr FitzGerald really mean that? Or is he just saying it to shock and draw attention? What should we believe in then, if role models or mentors are over-rated? It’s easy to say “do your own thing”, but so few of us can actually do that.

It has always been one of the best ways to get fast on top (either in gang fights or in public opinion): pick someone bigger than you — hell, pick the biggest of them all — and make him bite the dust. Should you succeed, you’re the man (until another does it to you, of course). Should you loose, do it in style and at least you’ve made the news — more or less.

It seems these days that almost everybody worships individualism. You can see it in almost everything — large businesses are slowly fragmenting, everybody tries to be a “freelancer”, everybody wants to be their own boss — an understandable thing, after all, who likes to take orders all day?. Marriages are shorter and shorter, single parentage slowly gains ground and becomes the “normal” way of growing up a kid. It’s all fine-tuning as the ultimate self-centred society. A planet of “every man for himself only”. Well, to be more precise, a “western” civilisation of loners. And these days — go figure — most of them (us) seem so bewitched by iStuff.

Well, if Mr FitzGerald wanted attention, he’s surely got it. And maybe that’s a good thing. Shouting out that “the emperor is naked” might prove a lie, but it did make you look thoroughly, didn’t it? I still think that apprenticeship as a way of learning was one of the good things we lost during the last fifty years. Having role-models can be very useful, but only as long as we never forget that role-models are meant to be surpassed.

As post scriptum, the cover of the book looks rather nice:

And while we’re at it, here’s another quote from Mr FitzGerald’s book:

It is a delusion that the activity of fine artists is divorced from commercial considerations. It isn’t even a matter of degree. All that separates art and design is the kind of marketplace one chooses to operate in.

Now that’s something with which I totally agree.

Further reading & links:
• Adrian Shaughnessy’s review of the book on the Design Observer;
• Kenneth FitzGerald’s blog post about his book.

favicon

347

Logo Design Love: A Guide to Creating Iconic Brand Identities — Book Review

January 21, 2011, 8:56 PM

“Anyone involved in creating visual identities, or wanting to learn how to go about it, will find this book invaluable.” — Tom Geismar, Chermayeff & Geismar.

Now, getting one of the greatest designers to write such a commending line about your book is no small thing. Even if just for this recommendation, David Airey‘s book is worth buying. However, praises can be biased, and great designers are usually kind and helpful (read Jessica Helfand’s beautiful article on “The Kindness of Strangers” and you’ll see what I mean — no, it’s not about Paul Rand, he’s the “angry” type).

But let’s get on with the review. Unless you’ve been living under a rock for the last three years or just found out about graphic design yesterday, David Airey is one of the most successful design bloggers around, writing two graphic design blogs, logodesignlove.com and davidairey.com (having more than 700,000 monthly page views). His newest, Identity Designed, is a site featuring work and inside stories from great design studios around the world (I can see a book version coming soon for this one as well). Logo Design Love started as a blog in January 2008, devoted to the design of logos and visual identities. Having become so successful, it eventually led to a book offer, as David wrote in Jan 2009.

» Continue reading

favicon

346

Paul Rand: Conversations with Students — Book review

January 2, 2011, 9:52 PM

«Everything is design. Everything!» … «It is important to use your hands, this is what distinguishes you from a cow or a computer operator.»

Starting with bold, very Rand-like quotes, Paul Rand: Conversations with Students, written by Michael Kroeger, is a small book divided in two parts: first, the conversations themselves, from February 1995 (first between Kroeger and Paul, together with his wife Marion, then between Rand and students from the School of Design, Arizona State University) and second, five homages from designers that had the privilege of studying with him closely. The author himself had the privilege of an individual one-week session in Brissago, Switzerland — as did Phillip Burton, Armin Hoffman, Herbert Matter and Wolfgang Weingart (also the book’s Foreword writer).

» Continue reading

favicon

343

Proud as I can be: Brandient 101 — The book

March 28, 2010, 1:47 AM

Later note: even if it is filed in the ‘Book reviews’ category, this is not one in itself — it is more of an announcement of the book’s launching, as I was involved in it too.

Rarely have I been so proud to be a designer as I am now. Two days ago, Brandient launched “Brandient 101″, the first book dedicated to Romanian brand design (limited edition of 101, signed).

I’ve been part of more than a handful of projects presented in the book, all of them being great experiences, from which I’ve learned a lot — the more difficult, the bigger the challenge and, of course, the reward. Working at Brandient for the last 3 years has been the real school that formed me as a designer (a brand designer, to be more precise, or a communication designer, as Mr. Erik likes to say), learning from and with my colleagues on all occasions, stressful or not (I found out over the years that the bigger the pressure, the faster you learn & work — of course, too much pressure is never a good thing, but one can never underestimate a designer’s ‘magical’ ability of pulling the ship around on the right track while the client is already ringing at the door :P) .

The book is designed by Cristian -Kit- Paul, Brandient’s Creative Partner, one of the best Romanian designers and also a great photographer — definitely follow him on Kit·blog. He’s also a very skilled speaker, another example that being a great designer is not only about drawing well-thought logos & identities, but also about explaining them, about promoting design as a business tool and last but not least, about teaching and inspiring the others.

But enough with the raves, here it is:

» Continue reading

favicon

326

Wonderful typography from Mucca Design

October 16, 2009, 11:31 AM

Wonderful work and especially eye-drooling typography from Mucca Design (offices in NY and SF). I like how they manage to generate series of books, not just individual covers—talking about covers, you should definitely check the new covers on Design Challenge.

Screen shot 2009-10-16 at 10.45.12 - 16 octombrie 2009

Screen shot 2009-10-16 at 10.45.35 - 16 octombrie 2009

Screen shot 2009-10-16 at 11.15.15 - 16 octombrie 2009

Screen shot 2009-10-16 at 11.15.57 - 16 octombrie 2009

Screen shot 2009-10-16 at 11.16.08 - 16 octombrie 2009

Screen shot 2009-10-16 at 11.16.15 - 16 octombrie 2009

Screen shot 2009-10-16 at 11.18.12 - 16 octombrie 2009

Screen shot 2009-10-16 at 11.06.53 - 16 octombrie 2009

favicon

306