Food for thought‘[...] do not think that good design can make a poor product good, whether the product be a machine, a building, a promotional brochure or a business man. But [...] good design can materially help make a good product reach its full potential. In short, [...] good design is good business.’
Thomas J. Watson Jr., IBM CEO

Bass Notes: The film posters of Saul Bass — Kemistry Gallery

February 27, 2011, 11:37 AM


Kemistry Galley has come up again with a great exhibition. Titled Bass Notes: The film posters of Saul Bass, it shows several works of the great Saul Bass — posters, storyboards and stills — which toured the world’s film festivals until his death, in 1996. Jim Northover writes how Lloyd Northover ‘inherited’ the exhibits:

A year or so after Saul’s death in 1996, I got a call from a headhunter in the States saying that she had a brief to find someone to take over the Saul Bass studio in Los Angeles. Herb Yager, Saul’s partner, no longer wanted to run it himself, but was keen for the business to continue. Since we had been looking to set up an office in the US, this seemed like a real opportunity. After Herb was reassured that he had found suitable inheritors, the business was acquired. We celebrated the event at a dinner at the Beverly Hills Hotel with Herb, Elaine Bass (Saul’s widow) and some of the team.

A few months later we found we had inherited something else. A travelling exhibition of Saul’s film posters had been doing the rounds of film festivals all over the world. One day it arrived back in London. We had to store it and look after it. We soon realised it was too big and expensive a task to keep it properly, so we handed it on to the British Film Institute, requesting that it should not be lost from public view, and hopefully shown from time to time.

The posters on show, thanks to the BFI, are the very same ones that formed part of the travelling exhibit. They were produced by the Saul Bass studio in the 1990s to celebrate Saul’s work. Many air miles later these historic originals are now on show here.

There are 19 posters on show including: Anatomy of a Murder (1955), The Man with a Golden Arm (1955), Saint Joan, Bonjour Tristesse (1958), Vertigo (1958), Exodus (1960), Spartacus (1960), The Magnificent Seven (1960), and a selection of storyboards (the ones from Psycho being a real treat) and title sequences. The exhibition is on till March 17, open Mon–Sat 10.00–18.00, so if you’re in London, don’t miss it.

More photos after the jump (click on the images for larger size).
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Saul Bass On Making Money vs Quality Work

January 20, 2010, 1:19 PM

“It costs every designer money to make beautiful [things]…”
—Saul Bass

Wow. All those nights of madly trying to find the right shape, the right colour or the best proportions don’t seem so insanely wasted now. Beautiful things just take time. Sometimes you succeed in making them, sometimes you don’t. Many times you feel like quitting. But it’s all part of being a designer. We all have our ups and downs. The important thing is to keep searching, pushing yourself to do something better, more beautiful, wittier, to keep learning more and more.

Luckily, we have the great ones to remind us why we do this:


(via the silver lining)

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